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Neba Solo - The Malian Breaking the Rules |
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What do you think of the label ‘traditional music'? Can you explain it? I haven't yet opened an actual school but I always have students who I teach at my home, while we're waiting for the means to build one So how can we describe your music? When you were young how did you feel about traditional music and instruments? Has this attitude changed over the years? You have worked a lot with your father. How does this work, as teacher and student or as collaborators? Who have you also collaborated with in your career? I have also worked with the French DJ Fréderic Galiano who I performed with and then he remixed tracks for my first album. I've also worked with the trio Shémirani who I recorded my Falak album with, as well as a European tour. Who are your musical influences? What do you find are the advantages or disadvantages of pursuing a solo career? What are your plans for the future? I want to continue to create this mix of music from my country and from the world. It's been said you have opened a school for teaching traditional music. How is it going? Why do you think Malian music is so well known across the world? What are the difficulties, obstacles, problems for Malian or African musicians to be well known at a world-wide level? Discography Collaborations: Selected albums available at Sterns Music www.sternsmusic.com |
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COMMENTS He’s making good things and is the proud of the senoufo society. He’s making good things and is the proud of the senoufo society. Thanks |
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| Africa/Middle East: Features Kora, Cello, Chamber Music - Vincent Segal A Night in the Maghreb - Idir and Najat Aatabou at Lincoln Center Joachim Kuhn/Majid Bekkas/Ramon Lopez - Out of the Desert Is Northern Mali Still Safe to Visit? Comfusoes - from Angola to Brasil with Producer Mauricio Pacheco |
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Salut Lydia
Il ya une petite derreur:Mali DembÈ FOLY au lieu de OLY
Merci
[Fixed now thanks, ED]