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The Seckou Keita Quartet - Afro-Mandinka Soul |
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Please note this is an old page and Fly Global Music has now moved. Please follow this link and search for the entry in the new site. Keita comes from the family of Mali’s founding father Sundiata Keita and the blood line of the Mandinka empire of the 13th Century — a time when West Africa was an international powerhouse with a rich religious and cultural life and a flourishing arts world Perhaps because of his pedigree and training, Keita isn’t afraid to experiment in his arrangements, rhythm, improvisation and bringing instruments and their musicians not associated with the treasured kora and griot tradition into the mix. He explains: “They [the rest of the quartet] may all be from different places and traditions, but our instruments all speak the same language.” The kora has always been played in Senegal, Gambia, Guinea Bissau and Mali and each region has its own distinct tuning. Keita explains his distinctive approach: “My own approach has been to put all these tunings together in the same instrument, so while still rooted in tradition, the sound is quite different to what people are used to hearing, and the range of material I can perform is greatly extended”. The kora is traditionally tuned by tightening rings of leather and animal skin and Keita uses both this and tuning pegs commonly used for guitars — a more updated version you might say. “It’s important because I’m using the traditional techniques, but in a new way. With the new tunings, I’m able to take songs from all the main traditions. The songs might sound quite different, going into in minor keys and so on, but they can all be fitted into the tunings of my own kora”. The confidence in what West Africa’s past and traditions can offer a group of four musicians from all over the world, and its audience, makes this album an exciting listen. Two favourite tracks are ‘Tounga’ with lyrics and haunting vocals by guest artist Binta Susso. Her story and voice are introduced by the fluttering of kora strings and percussion and then coupled with the mournful violin, sliding between a quintessential West Africa and a more folk-influenced sound. And ‘Djula Djekere’ is Keita’s own interpretation of a traditional song dedicated to Djula Djekere a rich and proud businessman and trader. The story goes that he was willing to mark the end of Ramandan by giving away one hundred different animals. But to satisfy his pride, he went a step further and announced he wanted to also sacrifice one hundred men. This song was offered to him by a griot as a way of stopping Djekere carrying out his mad plans. Unusually for a kora player, Keita also sings and his is a rich, woody voice. This interpretation has the kora weaving its way through the vocals, percussion, double bass and violin in a playful and unconventional way. Again, the elements of West Africa, North Africa and Europe create a new and compelling sound. Afro-Mandinka Soul: The Seckou Keita Quartet will be released on 21st August ‘06 by Arc Music www.arcmusic.co.uk OCTOBER 2006 UK TOUR: ‘JOURNEY IN THE UK’
FEBRUARY 2007: RURAL TOURING VENTURES - dates and venues to be confirmed soon |
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