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Fela-Ransome Kuti - Lagos Baby (1963-1969) |
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Please note this is an old page and Fly Global Music has now moved. Please follow this link and search for the entry in the new site. This double CD set covers the six years befure he changed his name from Fela-Ransome to Fela-Anikulapo (in Yoruba, “Anikulapo” means “he who carries death in his pouch”) - no wonder the Nigerian authorities felt so scared of him. The tracks on this album are influenced by the time he spent in London (1958-1961) where he was studying music at Trinity College and before his first visit to the U.S.A. This is a time of a young trumpet player and band leader finding his musical feet. This is Fela Ransome Kuti and the Koola Lobitos in the nightclubs of Lagos in at a time when Nigeria had just become independent from colonial rule (1962) and expectations were high. Some of the tracks give us the impression he knew where he would be in a few years time (‘Ako’ recorded around the time his Afro-Spot at the Kakadu club), some show the influence of the American jazz scene (‘Amaechi’s Blues’), some are more calypso, some a little ska, some R&B (‘VC7’) but most of these tracks belong on the dancefloor of the nightclub; and boy, would you have loved to be in a club where Fela was playing in the sixties? That would be living the Highlife! Forty years before co-creator of Afrobeat Tony Allen released Lagos No Shaking, the music of Lagos Baby ruled the niteclubs and it still sounds great. Extensive and in depth sleeve notes from Max Reinhardt (The Shrine, Notting Hill branch) who is also in the process to writing a new biography In Search of Fela Anikulapo Kuti (with Rita Ray) is coming out next year. That’s one to definitely look forward to but in the meantime it’s Highlife Time with Fela-Ransome Kuti - it’s got the (pre-Afro)beat. Reviewed: Fela-Ransome Kuti - Lagos Baby (1963-1969) (Vampi Soul) Cat No: VAMPICD 097 Release date: July 2008 [Warning: these tracks were originally lo-fi recordings and are not the current day standard quality - it’s a testament to the musicians that the quality of the music is still first class]. Links |
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