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James Chance - Twist Your Soul: The Definitive Collection |
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Please note this is an old page and Fly Global Music has now moved. Please follow this link and search for the entry in the new site. After the chaotic and short lived Teenage Jesus And The Jerks (the band who arguable ‘found’ no wave that was put together by Chance and Lydia Lunch, James launched his career as part James Dean pin-up, part James Brown and part James Blood Ulmar of the sax. Perhaps that’s why the band went through a load of identity changes from The Contortions, James Chance and The Contortions, James White and The Blacks, James Black and the Whites but whatever he called himself, (real name) James Siegfried, he produced the hardest art-rockin’ street funk jazz that was immediately identifiable and cool. Actually, born in Milwaukee, he went to New York and made his name as part of the second punk wave after bands like The Ramones had moved on taking over at the legendary punk venues CBGB’s and Max’s Kansas City. Then up steps Brian Eno and producers the seminal compilation No New York feturing Chance, Lunch, Suicide, Mars et al to a recptive world stage. From that album, ‘I Can’t Stand Myself’ (more identity issues?) and ‘Jaded’ are included but they stand as only reference pointsas the funk-jazz-style-meanderings take over. It’s as if ESAfter the chaotic and short lived Teenage Jesus And The Jerks (the band who arguable ‘found’ no wave that was put together by Chance and Lydia Lunch, James lauch his career as part James Dean pin-up, part James Brown and part James Blood Ulmar of the sax. Perhaps that’s why the band went through a load of identity changes from The Contortions, James Chance and The Contortions, James White and The Blacks, James Black and the Whites but whatever he called himself, (real name)_James Siegfried produced hard art-rockin’ street funk jazz that was immediately identifiable and cool. Actually, born in Milwaukee, he went to New York and made his name as part of the second punk wave after band like The Ramones as they gigged at CBGB’s and Max’s Kansas City. Up steps Brian Eno and the seminal compilation No New York launches Chance, Lunch, Suicide, Mars et al on the world stage. From that album, ‘I Can’t Stand Myself’ (more identity issues?) and ‘Jaded’ are included but they stand as a reference points as the punk-funk-jazz-style-meanderings take over as if ESG were Albert Ayler’s mothers. ‘Almost Black’, ‘Off Black’ and ‘I Don’t Want To Be Happy’ and best examples. ‘Off Black’ and their big “disco hit” ‘Contort Yourself’ being on their Off White alubm on ZE Records (from more on ZE see ZE 30 : ZE Records 1979-2009). Post Lunch, the biggest influence on the band was their manager and James’ partner Anya Phillips who passed away in 1981. ‘Sex Maniac’ and ‘The Twitch’ are taken from the album Sex Maniac that was dedicated to Phillips and it proved to be a creative high point as the follow-up album Flaming Demonics a couple of years later proved to be a low point by comparison; and avoided by this compilation (which is a bit of a shame as the track on that album that’s a medley of Ellington’s classics ‘Caravan’ and ‘It Don’t Mean A Thing’ with White’s own ‘Melt Yourself Down’ was always of a leftfield oddity). And with this is mind, it was no wonder that little was heard of of him and/or band save for re-issues and occasional live recordings. However, this compilation is timely as he appeared at the Matt Groening curated All Tomorrow’s Parties festival in May and has for the last five years been touring with Pierre Fablet (guitar), Alex Tual (drums) and Jacques Auvergne (drums) as Les Contortions (they being French of course). The second CD is made up of highly energetic performances and ends with Chance and Les Contortions doing a live version of the “distasteful” ‘Stained Sheets’ and the anthemic (but suitably contorted live version) of ‘Contort Yourself’. To be honest, you’d have to be a bit of a fan to go through both CDs in one go but stick with it as the Live CD has a fantastic out-there version of the standard ‘Ain’t Nobody’s Buisness If I Do’, a cover of Gil Scott Heron’s ‘Home Is Where The Hatred Is’ and JB’s ‘Cold Sweat’. Not only that, Chance teams up with original members Jody Harris, Pat Place, Don Christensen with former Lounge Lizard Erik Sanko with their re-formed Contortions and three tracks included here (‘Roving Eye’ and ‘Bedroom Athlete’) are full of the mid-late 70s spunk of their youth whilst ‘Devilish Angel’ is more in a jazzy groove. It certainly is about time Chance got renewed recognition as a true inovator and if you don’t recall, back in ‘81 he was hangin’ with all the big names in New York and beyond (see links below to the Jean-Michel Basquiat movie Downtown ‘81 as well as the No Wave book) and worth checking some never seen before photos taken by Philips and Chances’ notes with the CD booklet. So what you waitin’ for - get the CD and contort yourself! Reviewed: James Chance - Twist Your Soul: The Definitive Collection (Dumb Angel/History Records) Cat. No. DUMB019CD Release date: 2nd August 2010 Links: Post Lunch, the biggest influence on the band was their manager and James’ partner Anya Phillips who passed away in 1981. ‘Sex Maniac’ and ‘The Twitch’ are taken from the album Sex Maniac that was dedicated to Phillips and it proved to be a creative high point as the follow-up album Flaming Demonics a couple of years later proved to be a low point (and avoided by this compilation). And with this is mind, it was little wonder that little was heard of of him/band save for re-issues and live recordings. However, this compilation is timely as he appeared at the Matt Groening curated All Tomorrow’s Parties festival in May and has for the last five years been touring with Pierre Fablet (guitar), Alex Tual (drums) and Jacques Auvergne (drums) as Les Contortions (they being French of course). The second CD is made up of highly energetic performances and ends with Chance and Les Contortions doing a live version of the “distasteful” ‘Stained Sheets’ and the anthemic (but suitably contorted live version) of ‘Contort Yourself’. To be honest, you’d have to be a bit of a fan to go through both CDs in one go but stick with it as the Live CD has a fantastic out-there version of the standard ‘Ain’t Nobody’s Buisness If I Do’, a cover of Gil Scott Heron’s ‘Home Is Where The Hatred Is’ and JB’s ‘Cold Sweat’. Not only that, Chance teams up with original members Jody Harris, Pat Place, Don Christensen with former Lounge Lizard Erik Sanko with their re-formed Contortions and three tracks included here (‘Roving Eye’ and ‘Bedroom Athlete’) are full of the mid-late 70s spunk of their youth whilst ‘Devilish Angel’ is more in a jazzy groove. It certainly is about time Chance got renewed recognition as a true inovator and if you don’t recall, back in ‘81 he was hangin’ with all the big names in New York and beyond (see links below to the Jean-Michel Basquiat movie Downtown ‘81 as well as the No Wave book) and worth getting checking some never seen before photos taken by Philips and Chances’ notes with the CD booklet. Don’t wait - get the CD and contort yourself! Reviewed: James Chance - Twist Your Soul: The Definitive Collection (Dumb Angel/History Records) Cat. No. DUMB019CD Release date: 2nd August 2010 Links: |
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