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V/A - UMEK? Hell Yeah! |
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Please note this is an old page and Fly Global Music has now moved. Please follow this link and search for the entry in the new site. As regular readers know, we don’t follow the sentiments of the tradition written press unless they happen to get it spot on but fair play to IDJ magazine who said of this compilation, “Pure dance floor techno with a rocket up it’s ar*e”. I’m certainly not going to argue with the rocket sentiments as the only issue here is whether you can take the ‘science’. The 2 CD set is split into a whoppin’ 24 track mix CD of hot club bangers by loads of folks I’ve never heard of except the mighty UMEK remix of the Oliver Koletzki & Roland Clark monster ‘Yes We Can’; the only proper vocal on the CD (for full review of the original release, see HERE). UMEK is from Slovenia which may account for the novel selections (to us at least save for a Dandi & Ugo remix) but that just makes the whole CD that much the better and I can tell you, this is hard stuff. Not only that, you need some stamina as it’s the best part of an hour and a quarter long; even if it’s a bit of a slow start (but not for long) you’re soon into the sounds of the under world synths, ping pong/water torture, passing through the Stargate and bangin’ beats. The highlights for me is the Steve Mac and Paul Harris track ‘Dizzy Heights’ and the scary ‘Is There Anybody There’ remix before Fergie finishes it off with the suitably entitled ‘Exit People’. UMEK and his friends were responsible for putting on the first large scale parties in Slovenia developing the dance music scene in the country which resulted in Umek being Slovenia’s most famous techno DJ, and a prolific producer. UMEK’s own tacks that he’s slipped into the mix (‘16th Century Japan’, ‘You Might Hear Nothing’) are a little introduction to what you can expect from the other CD as this is a collection of 12 exclusive and unreleased tracks by UMEK himself (recorded between 1998-2005). This is where he shows off what makes CD1 ‘rock’ and/or how ahead of the game he is/was. He seems to cover so many different sub-styles (from funky to goth to playground!) but mostly with the urgency of a pumpin’ train throb. So it’s a bit different from recent Hell Yeah! releases (like Florian Meindl’s ‘8 Bit Romance’ or Blatta & Inesha’s ‘Revolution’) and well worth the variation if you ask me. I don’t know if UMEK has played Fabric or even some dodgy converted railway arch in Vauxhall? Watch out for when he does as it’s going to be huge; don’t resist. The artwork, by Hell Yeah’s Rocco “The Boghe” Neverending is superb as it really captures somewhere down below where they play techno non-stop; get this set and prepare yourself for an eternity of Hell Yeah! V/A - UMEK? Hell Yeah! (Hell Yeah! Recordings) Cat. No. HYR7041D Release date: 17th August 2009 Links: |
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