According to World Circuit folklore, this was the album that got away. Apparently, what eventually became the iconic Buena Vista Social Club (BVSC) record was originally conceived as a Mali/Cuba collaboration.
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“The late, great Charlie Gillett had a passion for music”, Mark Coles, BBC World Service, June 2010.
Continue reading V/A – Sound of the World Presents: Anywhere On This Road
I Speak Fula strips away some of the ponderousness that flawed the otherwise delightful debut album from this most explosive live band and reveals far more of Bassekou as a result
Network records have kept up the profoundly high level of quality control exhibited on the first two instalments of this exquisite series
Apparently mud has different grades and it has gone from slurry to liquid on the site but we should be grateful — the Reading site would have been submerged. In these rather beautiful surroundings, WOMAD has begun with the best line-up in years to make up for the conditions underfoot
The ngoni, the small plucked lute said to be a forerunner of the banjo is most often found taking a support rôle to the guitar or kora. But it wasn’t always thus, and the world’s leading exponent has just released a new album that aims to bring the instrument — and the Bamana tradition from which it hails — firmly back centre stage
Continue reading Bassekou Kouyate – Blue Like a River to a Desert
Bassekou Kouyaté is better known as the ngoni player on seminal recordings by Toumani Diabaté and Ali Farka Touré. Segu Blue is his assured, elegant and long overdue debut
A few years ago a group of hoteliers got together in the pleasant but unremarkable stopover of Segou along the banks of the Niger river to work out how to get people to stay for a while in their town. Thus the Festival sur le Niger was born and this year it burst its banks
Continue reading Festival sur le Niger – Dancing through the Tears
As keenly as the loss of this great artist has been felt around the world, there has also been an intense anticipation surrounding his last ever recording. We now know that the world’s most famous farmer was aware of his impending death in the last few years of his life and it is tempting to see the late burst of recordings and performances as his declared legacy