Posts tagged Bassekou Kouyate

Sahara Soul – featuring Bassekou Kouyate & Ngoni ba, Tamikrest and Sidi Touré

One of Africa’s richest musical heartlands, Mali today is sorely afflicted by internal conflict, an ongoing state of adversity from which this defiantly inspiring collaboration, uniting artists from three of Mali’s different musical cultures, arose to demonstrate their shared homeland’s strength, diversity, and its music’s power to bring people together.
26 January 2013 – Barbican, London
27 January 2013 – Glasgow Royal Concert Hall (as part of Celtic Connections) Continue reading Sahara Soul – featuring Bassekou Kouyate & Ngoni ba, Tamikrest and Sidi Touré

Afrocubism

According to World Circuit folklore, this was the album that got away. Apparently, what eventually became the iconic Buena Vista Social Club (BVSC) record was originally conceived as a Mali/Cuba collaboration.

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V/A – Sound of the World Presents: Anywhere On This Road

“The late, great Charlie Gillett had a passion for music”, Mark Coles, BBC World Service, June 2010.

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Bassekou Kouyate & Ngoni ba – I Speak Fula

I Speak Fula strips away some of the ponderousness that flawed the otherwise delightful debut album from this most explosive live band and reveals far more of Bassekou as a result

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V/A – Desert Blues 3

Network records have kept up the profoundly high level of quality control exhibited on the first two instalments of this exquisite series

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Dee Bridgewater – Barbican, London (Live Review)

My expectations are high as the two musical traditions I love most are to be played here tonight by jazz chanteuse Dee Dee Bridgewater and the collection of Malian stars she has assembled

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African Soul Rebels 2008 – Poole Lighthouse

“I’ve been looking forward to this for weeks,” I was told be my partner in the queue to get in. And I’m not surprised as when are you going to see Salif Keita and Tony Allen on the same night in Dorset?

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WOMAD 2007 – Live Review

Apparently mud has different grades and it has gone from slurry to liquid on the site but we should be grateful — the Reading site would have been submerged. In these rather beautiful surroundings, WOMAD has begun with the best line-up in years to make up for the conditions underfoot

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Dee Dee Bridgewater – Red Earth

Dee Dee has just released a wonderful album recorded in her spiritual homeland of Mali. Of course she was physically born in Memphis, TN but she explains on the DVD that as soon as she saw the bright Malian red earth, she felt that she had arrived home

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Bassekou Kouyate – Blue Like a River to a Desert

The ngoni, the small plucked lute said to be a forerunner of the banjo is most often found taking a support rôle to the guitar or kora. But it wasn’t always thus, and the world’s leading exponent has just released a new album that aims to bring the instrument — and the Bamana tradition from which it hails — firmly back centre stage

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Bassekou Kouyate & Ngoni ba – Segu Blue

Bassekou Kouyaté is better known as the ngoni player on seminal recordings by Toumani Diabaté and Ali Farka Touré. Segu Blue is his assured, elegant and long overdue debut

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Festival sur le Niger – Dancing through the Tears

A few years ago a group of hoteliers got together in the pleasant but unremarkable stopover of Segou along the banks of the Niger river to work out how to get people to stay for a while in their town. Thus the Festival sur le Niger was born and this year it burst its banks

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The Festival in the Desert 2007 – Essakane, Mali

Quite possibly the most difficult festival to get to on earth, certainly the most fun, The Festival in the Desert is held at Essakane every January. Head for Timbuktu and when you have reached the middle of nowhere, keep going for a few more hours of treacherous driving up and down sand dunes and you have the festival that makes Glastonbury seem about as adventurous as a trip to the local garden centre

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Ali Farka Toure – Savane

As keenly as the loss of this great artist has been felt around the world, there has also been an intense anticipation surrounding his last ever recording. We now know that the world’s most famous farmer was aware of his impending death in the last few years of his life and it is tempting to see the late burst of recordings and performances as his declared legacy

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