Artists confirmed so far… Alaev Family (Tajikstan/Israel); Ane Brun (Norway); Boubacar Traore (Mali);Buena Vista Social Club (Cuba); Dizraeli and the Small Gods (UK); Grupo Fantasma (USA); Lo’Jo(France/Algeria); Joe Driscoll & Seckou Kouyate (USA/Guinea); Narasirato (Solomon Islands); Peatbog Faeries (UK); Raghu Dixit (India); Sensational Space Shifters (UK/USA/Gambia); Spiro (UK); Terem Quartet (Russia); Tokyo Ska Paradise Orchestra (Japan). Continue reading WOMAD 2012 – Line up announced: Buena Vista Social Club, Robert Plant and Boubacar Traore
“The late, great Charlie Gillett had a passion for music”, Mark Coles, BBC World Service, June 2010.
Does Peterson ever stop? Clearly not as he’s recently returned from Cuba recording a new album with Danay plus this new release on his own Brownswood Recordings label with a launch party in London and Roberto Fonseca live with the New Cuba Sound at the Barbican on the 6th July – phew!
This project represents a significant undertaking for British DJ, producer and all-round global beats guru, Gilles Peterson.
If the young standard-bearer of Cuban music Roberto Fonseca was once recognised chiefly for his performances with the Buena Vista Social Club, it’s surely now his work as a composer and bandleader that earns him his considerable reputation. A rhythmically-charged and beguiling set that displays Fonseca’s remarkable musicianship and myriad influences, Akokan, picks up where Fonseca left off with debut album Zamazu
Yet another compilation of Cuban music? Check out if DJ Lubi Jovanovic’s selections are worth your time
Forget the Buena Vista Social Club. If you want a heart warming tale of musical success despite extreme adversity then buy this CD and listen to the sound of these paraplegic street musicians from Kinshasa, Congo and their rhythm and blues, funk inflected rumba
The recent passing of Cuban bassist Orlando “Cachaíto” Lopez reminds us how he paved the way for the future of the island’s sounds
Ten years ago, with the help of Juan de Marcos Gonz?°lez and support of Ry Cooder, a bunch of elderly Cubans dusted off their instruments, cleared their throats and, with seemingly effortless ease, delivered arguably the most acclaimed album in world music history