Posts tagged Buena Vista

WOMAD 2012 – Line up announced: Buena Vista Social Club, Robert Plant and Boubacar Traore

womad 640x480 WOMAD 2012   Line up announced: Buena Vista Social Club, Robert Plant and Boubacar TraoreArtists confirmed so far… Alaev Family (Tajikstan/Israel); Ane Brun (Norway); Boubacar Traore (Mali);Buena Vista Social Club (Cuba); Dizraeli and the Small Gods (UK); Grupo Fantasma (USA); Lo’Jo(France/Algeria); Joe Driscoll & Seckou Kouyate (USA/Guinea); Narasirato (Solomon Islands); Peatbog Faeries (UK); Raghu Dixit (India); Sensational Space Shifters (UK/USA/Gambia); Spiro (UK); Terem Quartet (Russia); Tokyo Ska Paradise Orchestra (Japan). Continue reading WOMAD 2012 – Line up announced: Buena Vista Social Club, Robert Plant and Boubacar Traore

Afrocubism

According to World Circuit folklore, this was the album that got away. Apparently, what eventually became the iconic Buena Vista Social Club (BVSC) record was originally conceived as a Mali/Cuba collaboration.

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Jolly Boys – Great Expectations

The original Jamaican Jolly Boys are back and who the dickens would have thought that the sound of mento would be big with the kids in 2010?

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V/A – Sound of the World Presents: Anywhere On This Road

“The late, great Charlie Gillett had a passion for music”, Mark Coles, BBC World Service, June 2010.

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Gilles Peterson Presents Havana Cultura: Remixed

Does Peterson ever stop? Clearly not as he’s recently returned from Cuba recording a new album with Danay plus this new release on his own Brownswood Recordings label with a launch party in London and Roberto Fonseca live with the New Cuba Sound at the Barbican on the 6th July – phew!

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The Ipanemas – Que Beleza

Radio 1′s Gilles Peterson played a track this week from the fifth Os Ipanemas album on Far Out Recordings and although it’s a busy week, these new recordings from “the original Afro-Brazilian Kings” have rarely sounded better.

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Irakere – Cuba Libre

Once again Joe Davis at Far Out Recordings does it again, this time with a re-issue of a very highly sort after album that feature some of the best, if not greatest, Cuban musicians of all time! Irakere’s Cuba Libre is fantastic to say the least!

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V/A – Les Chats Persans (OST)

En anglais this translates as No One Knows About Persian Cats and the film by Bahman Ghobadi won a special jury prize at Cannes Film Festival last year and this is the equally good soundtrack with the film on release later this week.

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Gil Scott-Herron – I’m New Here

Announced this week as the “Godfather of Rap” on Radio 4, at last there’s a brand new album from Gil Scott-Heron and it’s on XL of all labels; talk about I’m New Here!

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Gilles Peterson presents Havana Cultura – New Cuba Sound

This project represents a significant undertaking for British DJ, producer and all-round global beats guru, Gilles Peterson.

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Roberto Fonseca – Akokan

If the young standard-bearer of Cuban music Roberto Fonseca was once recognised chiefly for his performances with the Buena Vista Social Club, it’s surely now his work as a composer and bandleader that earns him his considerable reputation. A rhythmically-charged and beguiling set that displays Fonseca’s remarkable musicianship and myriad influences, Akokan, picks up where Fonseca left off with debut album Zamazu

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Various Artists – Beginner’s Guide To Cuban Music

Yet another compilation of Cuban music? Check out if DJ Lubi Jovanovic’s selections are worth your time

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Staff Benda Bilili – Tres Tres Fort

Forget the Buena Vista Social Club. If you want a heart warming tale of musical success despite extreme adversity then buy this CD and listen to the sound of these paraplegic street musicians from Kinshasa, Congo and their rhythm and blues, funk inflected rumba

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Everything Fits – Cachaito’s Legacy

The recent passing of Cuban bassist Orlando “Cachaíto” Lopez reminds us how he paved the way for the future of the island’s sounds

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Buena Vista Social Club – At Carnegie Hall

Ten years ago, with the help of Juan de Marcos Gonz?°lez and support of Ry Cooder, a bunch of elderly Cubans dusted off their instruments, cleared their throats and, with seemingly effortless ease, delivered arguably the most acclaimed album in world music history

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